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  • Creative Writing Curriculum
    • Unit 1: The Art of Character and Concrete Detail
      • Character Boards
      • D&D Student Version
      • Childlike
      • Desperate Measures: A Dating Profile
      • Dear Future Roommate
      • The Teacher’s Bathroom
      • One-of-Fifty
      • A Food’s Person
      • PDA: Too Much Tongue, Nowhere to Run
      • That’s Cliché!
      • Things They Carry
    • Unit 2: Poetry, Precision, and the Weight of Words
      • Contrasting Poems
      • Persona Poems
      • Epistolary Poem
      • Oppositional Poems
      • The Worst Poem Ever Written (On Purpose!)
      • Haiku
      • Erasure Poetry
      • Found Poem
      • Nursery Rhymes
      • Framing the Moment
      • The Ghazal
      • Beyond the First Letters
      • The Golden Shovel
      • Concrete Poetry
    • Unit 3: The Architecture of Story—Narrative Beginnings, Middles, and Ends
      • Crossing and Returning
      • Becoming Mr. Rogers
      • A Sizzling Day Dream
      • Misleading Expectations
      • A Fable
      • Along in the Silence
      • Guilty as Fiction (Part 1 of 2)
      • The Last Line
      • Hero’s Journey Letters
      • I’m Not A Furry!
    • Unit 4: Infusing the Self—Blurring Art and Identity
      • A Letter from the Underground
      • Where I'm From
      • Do This, Do That
      • A Christmas Story
      • Hear Me Out…
      • Class 101
      • Never Abbreviate ‘Assignment’
      • A Story in Five Objects
      • Parallel Universe Me
      • An Apology (or Lack of One)
      • What I Leave Behind
      • A Letter to the Person Who Will Inhabit My Body
      • The Last Day of the World
      • Myths About Me
    • Unit 5: Poetry Revisited—Form, Flow, and Challenge
      • Building a House
      • The Pantoum
      • Time For A Sonnet
      • Rapping Paper
      • The First Snowfall
      • Journey into the Grotesque
      • The Sestina
      • Falling Apart
      • Poem Backwards is Meop, and That’s Kind of Neat
      • Seasonal Oppression
      • Seeds to Sow
      • Call a Priest!
      • A Yellow Smell
      • It's Just a Translation, Right?
      • Oh No... Is This Interpretive Dance?
    • Unit 6: Drama, Screenwriting, and Visualized Narratives
      • Writing a Screenplay 101
      • Writing Dialogue
      • A Date Gone Wrong
      • Love Is an Open Door?
      • Guilty as Fiction (Part 2 of 2)
      • Not-So-Super-Guy
      • Moody, Broody, Detective Scooby
      • What Topia? Dystopia.
      • Writing a Bluey Episode
      • Louder Than Words
      • Worst. Casting. Ever.
      • Supervillain TED Talk
      • I'd Buy That!
      • ChronoScript
      • Behind the Curtain
    • Unit 7: Experimental Writing—Dream Logic, New Languages, and Breaking the R
      • The Story That Won’t End (or Won’t Begin)
      • The Worst Short Story Ever Written (On Purpose!)
      • This Sentence Knows It Will End
      • Yes, No, Maybe, So
      • The Story That Eats Itself
      • Synesthesia Script
      • You? No You. No, You!
      • What are you Tolkien about?
      • Dreamlike
      • Play Time
      • Day Jah Vu
    • Unit 8: Open Capstone and Publication—A Final Creative Offering
  • English 9 Ethnic Studies
    • Overarching Unit Guide
    • Unit 1: Identity and Community Building
    • Unit 2: Intersectionality
      • In Their Shoes
    • Unit 3: Oppression, Expression, and Stereotyping
    • Unit 4: Resilience and Resistance
    • Unit 5: Cultural Ownership and Storytelling
    • Unit 6: Book Groups
  • ELD
    • ELPAC Prep
    • Describe a Picture
    • Write About an Experience
    • Write about Academic Information
    • Justify an Opinion
    • Sequence
    • Cause and Effect
    • Compare and Contrast
    • Problem, Solution
    • Definition and Classification
    • Conclusions and Connections
  • Honors 12 & Concurrent Enrollment
    • Course Outline
    • Course Writing Expectations
    • Syllabus
    • Academic Integrity
    • Unit 1: Reflecting on Roots
    • Unit 2: Journeys of Reflection
    • Unit 3: The Dark and the Sublime
    • Unit 4: Witches, Kings, and Deconstruction Things
    • Unit 5: Hidden in the Shadows
    • Unit 6: When Mathematicians English
    • Unit 7: Socrates was Obnoxious, and We Can Too
    • Unit 8: Paying the Toul
    • Unit 9: Couples Therapy for Debaters
    • Unit 10: Echoes from the Albatross
    • Lenses and Critical Approaches
      • Psychology
        • Intro to Critical Theory: Psychology, the Mind, and Consciousness
        • Freud and Consciousness
        • Alfred Adler and the Self Ideal
        • Lacan
        • Carl Jung
        • B. F. Skinner
        • Viktor Frankl
      • Linguistics
        • Linguistic Structuralism
        • Semiotics
        • Derrida and Deconstruction
        • Ferdinand de Saussure
        • Charles Sanders Peirce
        • Noam Chomsky
        • Leonard Bloomfield
        • Roman Jakobson
        • Edward Sapir
        • Roland Barthes
        • Umberto Eco
      • Other
        • Women's Perspective in Literature
        • Black and African American Perspectives
        • Narrative Structuralism
        • Post-colonialism
        • "New" Criticism
      • Western Philosophy
        • Plato and Socrates
      • Eastern Philosophy
        • Ram Dass
      • Literary Figures
    • Literary Works
      • 1984
      • Art (Visual)
      • Belovéd
      • Bless Me, Ultima
      • The Book Thief
      • Catcher in the Rye
      • Crime and Punishment
      • Emma
      • Flight
      • Frankenstein
      • Hamlet
      • Heart of Darkness
      • Holocaust Literature
      • Horror and The Uncanny
      • The Idiot
      • Indian Horse
      • The Inferno
      • Lolita
      • Macbeth
      • Misc Poetry
      • Night
      • Notes from a Dead House
      • One Flew Over the Cuckoo's Nest
      • Paradise Lost
      • Pride and Prejudice
      • Romeo and Juliet
      • The Stranger
    • Writing Support
      • Mind Maps
      • Free Writing
      • Cubing
      • How, Why, So: A Guide to Interpretive Analysis
      • Strong, Academic Titles
    • Literary Elements
      • Theme (Ideas)
      • Character
      • Setting and Context
      • Symbolism
      • Point of View
      • Freytag's Pyramid (Traditional Structure)
      • Campbell's Monomyth (Hero's Journey)
  • James Joyce
    • Dubliners
      • Dubliners: Childhood
      • Dubliners: Adolescence
      • Dubliners: Maturity
      • Dubliners: Public Life
      • Dubliners: The Dead
    • A Portrait of the Artist as a Young Man
    • Ulysses
      • The Telemachaid
        • Telemachus
        • Nestor
        • Proteus
      • The Odyssey
        • Calypso
        • Lotus Eaters
        • Hades
        • Aeolus
        • Lestrygonians
        • Scylla and Charybdis
        • The Wandering Rocks
        • Sirens
        • Cyclops
        • Nausicaa
        • Oxen of the Sun
        • Circe
      • The Nostos
        • Eumaeus
        • Ithaca
        • Penelope
      • Ulysses Seen
    • Finnegans Wake
  • Kinch's Gate: A Buddhist Journal
    • Favorite Meditation Techniques
    • Soto Zen and Plum Village Buddhist Practice
    • Meditation and Malas
    • Fasting and Dieting for Spirituality
    • The Dharma
    • There is No Tree
    • Many Words Make Much Good Meaning Problems
    • On the Afterlife
    • No Goals: The Goal
    • Literature is the Dharma
    • Personal Buddhist Reading List
    • There is No Such Thing as Teaching
  • Creative
    • V.elka: A Graphic Novel Idea
    • An Unfriendly Chivo
    • A Door
    • Shorter Works (Haikus, Tankas, and More)
    • A Gilded Life: Reflections after 20 Days in Mariupol
  • Rants and Editorials
    • The Great Grading Hoax: Why English and Numbers Don't Mix
  • Family Recipes
    • Brisket
    • Honey Lime Chicken
    • Smoked Brats
    • Beef Chuck Short Ribs
    • Smoked Pork Belly Burnt Ends
    • Chile Colorado
    • Chile Verde
    • Borscht (Ukrainian)
    • Olivier Salad (Салат Оливье)
    • Kotleti
    • Pea Soup
    • Ukrainian Piroshki with Cabbage
    • Maple Syrup Scones
    • Oatmeal Chocolate Chip Cookies
  • Essays and Academic Work
    • Waterlover, Griefcarrier, Meansoaker
    • Self-Fulfilling Prophecies
    • The Patriarchal Gyre
    • And They Worshipped Her
    • Austen’s Inferno
    • Finding Reality
    • Shattering Citadels
    • A Wave of Meaning
    • Intro to Feminism
  • Literary Explorations
    • Macbeth's Christian Dagger
    • A Kingly Lesson - Macbeth, Malcolm, and that One Scene You Skimmed Through
  • Literary Odysseys
    • Ulysses - A YouTube Odyssey
    • Part 1: "I'm Going to Prison!"
  • AP Specific Resources
  • Artificial Intelligence
    • AI, Data, and Privacy
    • How AI and LLMs Work
    • List of AI Tools
    • Setting Guardrails
    • Diversifying Instruction using AI
    • Engagement Activities with AI
    • World-Building and Role-Playing with AI
    • Academia and AI
    • Grading Using AI
    • Prompting AI
  • About Me
  • Donate and Support
Mostly Illiterate

Pacing Guide

Syllabus and Expectations

Extended Learning

Marco Learning

How to Ace the Multiple-Choice Section

Poetry Analysis Essay

AP Lit Channel Playlist

Albert.io

15 AP English Lit. Tips

Timed Writing Samples

Summary vs. Analysis (Student Samples)

POV/Narrator Analysis Sample Paragraph with The Cathedral

2009 Fiction (The Street) Full Essay Sample

2009 Fiction (The Street) Passage Annotation Sample

2012 Fiction (Under the Feet of Jesus) Full Essay Sample

2019 Q1 and Q2 Full Essay Samples with 2019 Passages, All Annotated

"Telemachus" from Ulysses Full Essay Sample

"Nestor" from Ulysses Full Essay Sample

DO-DON'T (Writing)

In this video, I explore how I like to drill the released AP Literature and Composition free-response essays. 

You can find all the released essay prompts with samples on their website (I'm a link!).​

Here's a basic list of the timings I like to use and when I use them:

10 min - Practice annotation, theme identification, and getting accustomed to the prompts themselves

15 min - Same as 10 min, but students should be able to formulate a solid thesis and identify examples that they would use throughout their essay

30 min - Full practice run through the exam; perfect for Q3 (open response), but not enough time for Q1 and Q2. This may help remove a student's 'filter.'

45 min - Perfect for Q1 and Q2; most accurate representation of the time constraint the day of the AP exam

60 min - Perfect for in-class testing situations and allowing students to use a word list (like academic verbs, descriptors, transitions) to help improve their writing

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